The Visible World Loosens
Image Credits and Works Cited
Please note that this page is still being finalized and therefore items on this list might be incomplete, improperly formatted, or include some redundency (due to the chronic disorganization of the author).
Image Credits
Slide numbers refer to the presentation. For artworks and buildings, the named artist or architect made the depicted work; the photographer of a slide image is credited only when identified. Where a publication reproduces a photograph without naming its maker, the entry identifies that publication.
Albers, Anni. Ark panels for Olan Sanctuary. 1957. Temple Emanu-El, Dallas. How Lovely Are Your Tents, O Jacob; Your Dwellings O Israel: Enduring Images from the Art Collection of Temple Emanu-El, Temple Emanu-El, https://www.tedallas.org/wp-content/uploads/2022/07/ArtGuide.pdf. Depicted in slides 36, 43–45, 47, and 52–55; photographers unidentified.
Albers, Anni. Collage and woven sample for the Temple Emanu-El ark panels. 1957. Reproduced in Silvia Zeas Carrillo, “Los procesos creativos de Anni Albers, diseñadora textil de la Escuela Bauhaus,” Cuadernos del Centro de Estudios en Diseño y Comunicación, no. 113, 2020/21, fig. 10, https://dialnet.unirioja.es/descarga/articulo/8290626.pdf. Slide 46, left.
Albers, Anni. Tapestry. 1948. Linen and cotton, The Museum of Modern Art, New York, object no. 200.1950. MoMA, https://www.moma.org/collection/works/2613. Slides 28–29; © The Josef and Anni Albers Foundation / Artists Rights Society (ARS), New York.
Albers, Josef. Homage to the Square (732). 1961. Oil on Masonite, Dallas Museum of Art, accession no. 1982.11. AMICA Library, Dallas Museum of Art record, https://luna.davidrumsey.com/amico207355-41470.html. Slides 8–9; installation photographer unidentified.
Albers, Josef. Homage to the Square: Straight. 1962. Oil on board, Dallas Museum of Art, accession no. 1996.49. Dallas Museum of Art, https://dma.org/art/collection/object/3258863. Slides 13–15 and 50, left; installation photographer unidentified.
Chagall, Marc. Lithographs from Verve, nos. 33–34. 1956. Temple Emanu-El, Dallas. How Lovely Are Your Tents, O Jacob; Your Dwellings O Israel: Enduring Images from the Art Collection of Temple Emanu-El, Temple Emanu-El, https://www.tedallas.org/wp-content/uploads/2022/07/ArtGuide.pdf. Slide 35; individual works in the slide and installation photographer unidentified.
Dickman, Jay. I. M. Pei in a hardhat at the Dallas City Hall construction site. 7 July 1976. Dallas Times Herald, Dallas History & Archives, Dallas Public Library. Reproduced in Paula Bosse, “Dallas City Hall,” Flashback Dallas, 10 Nov. 2025, https://flashbackdallas.com/2025/11/10/dallas-city-hall/. Slide 23, center inset.
Johnson, Philip. Chapel of Thanks-Giving. Thanks-Giving Square, Dallas, opened 1977. “Art & Architecture,” Thanks-Giving Foundation, https://www.thanksgiving.org/art-and-architecture. Depicted in slide 3, left; photographer unidentified.
Josef and Anni Albers. ca. 1935. Photograph reproduced in Sue Herdman, “Josef and Anni Albers: Partners & Pioneers,” The Arts Society, 15 Dec. 2020, https://theartssociety.org/arts-news-features/josef-and-anni-albers-partners-pioneers. Slide 27; photographer unidentified; courtesy The Josef and Anni Albers Foundation / Artists Rights Society.
Karis Medina handling extra fabric for the Olan Sanctuary ark panels. Photograph in 2024–2025 Impact Report, Temple Emanu-El, 2025, p. 16, https://www.tedallas.org/wp-content/uploads/2025/10/ImpactReport2024-25lr.pdf. Slide 46, right; photographer unidentified.
Kepes, György. Stained-glass windows of Olan Sanctuary. 1957. Executed with Octavio Medellín. Temple Emanu-El, Dallas. How Lovely Are Your Tents, O Jacob; Your Dwellings O Israel: Enduring Images from the Art Collection of Temple Emanu-El, Temple Emanu-El, https://www.tedallas.org/wp-content/uploads/2022/07/ArtGuide.pdf. Depicted in slides 36, 39–40, 43, and 55; photographers unidentified.
Loire, Gabriel. Glory Window. 1976. Chapel of Thanks-Giving, Dallas. “Art & Architecture,” Thanks-Giving Foundation, https://www.thanksgiving.org/art-and-architecture. Depicted in slide 3, right; photographer unidentified.
Meyer, Howard R., and Max M. Sandfield, with William W. Wurster. Temple Emanu-El and Olan Sanctuary. 1957. Dallas. How Lovely Are Your Tents, O Jacob; Your Dwellings O Israel: Enduring Images from the Art Collection of Temple Emanu-El, Temple Emanu-El, https://www.tedallas.org/wp-content/uploads/2022/07/ArtGuide.pdf. Building depicted in slides 31–45, 47, and 52–56; photographers unidentified.
Post, Helen M. Anni Albers in her weaving studio at Black Mountain College. 1937. Western Regional Archives, State Archives of North Carolina. Reproduced by the Josef & Anni Albers Foundation, https://www.albersfoundation.org/news/anni-albers-on-weaving-book-party-and-design-conversation-takes-place-on-september-19. Slide 29, center.
Portrait of I. M. Pei. Académie des beaux-arts, https://www.academiedesbeauxarts.fr/ieoh-ming-pei-0. Slide 23, left; published reproduction, photographer unidentified.
Portrait of Walter Gropius. Architonic, https://www.architonic.com/en/c/walter-gropius/5206175. Slide 23, right; published reproduction, photographer unidentified.
Thanks-Giving Square Foundation. Promotional rendering of Thanks-Giving Square. 1976. Slide 3, center. The © 1976 foundation credit is visible in the slide; the original brochure or archival record has not been located.
Works Cited
Albers, Anni. “Material as Metaphor.” 25 Feb. 1982. Josef & Anni Albers Foundation, https://www.albersfoundation.org/alberses/teaching/anni-albers/material-as-metaphor.
Albers, Anni. “On Weaving.” Untitled lectures with slide illustrations, New Haven, Oct. 1963. Josef & Anni Albers Foundation, https://www.albersfoundation.org/alberses/teaching/anni-albers/on-weaving.
Albers, Anni. “Oral History Interview with Anni Albers, 1968 July 5.” Interview by Sevim Fesci, Archives of American Art, Smithsonian Institution, 5 July 1968, https://www.aaa.si.edu/collections/interviews/oral-history-interview-anni-albers-12134.
Albers, Anni. “The Pliable Plane: Textiles in Architecture.” Perspecta, vol. 4, 1957, pp. 36–41. Josef & Anni Albers Foundation, https://www.albersfoundation.org/alberses/teaching/anni-albers/the-pliable-plane-textiles-in-architecture.
Albers, Josef. “Oral History Interview with Josef Albers, 1968 June 22–July 5.” Interview by Sevim Fesci, Archives of American Art, Smithsonian Institution, 22 June–5 July 1968, https://www.aaa.si.edu/collections/interviews/oral-history-interview-josef-albers-11847.
Albers, Josef. “U.S. Specialist Report: Report on a Course in Basic Drawing, Design, and Color Given at the Hochschule für Gestaltung in Ulm.” 20 Jan. 1954. Josef & Anni Albers Foundation, https://www.albersfoundation.org/alberses/teaching/josef-albers/us-specialist-report-report-on-a-course-in-basic-drawing-design-and-color-given-at-the-hochschule-f%C3%BCr-gestaltung-in-ulm.
Allison, Benjamin V. “Thanks-Giving Square.” Handbook of Texas, Texas State Historical Association, 29 Apr. 2023, https://www.tshaonline.org/handbook/entries/thanks-giving-square.
Bergdoll, Barry. “Barry Bergdoll on I. M. Pei’s Museum of Chinese Art, Shanghai.” Harvard Graduate School of Design, July 2024, https://www.gsd.harvard.edu/2024/07/i-m-pei-museum-of-chinese-art-shanghai-modernism-bergdoll/.
Berger, John. Ways of Seeing. British Broadcasting Corporation and Penguin Books, 1972.
Cristol, Gerry. “Temple Emanu-El, Dallas.” Handbook of Texas, Texas State Historical Association, https://www.tshaonline.org/handbook/entries/temple-emanu-el-dallas. Accessed 26 Sept. 2026.
Harvard Graduate School of Design. “Remembering Pei: Tracing the Architect’s Legacy to the Harvard Graduate School of Design.” July 2019, https://www.gsd.harvard.edu/2019/07/remembering-pei-tracing-the-architects-legacy-to-the-harvard-graduate-school-of-design/.
Josef & Anni Albers Foundation. “Chronology.” https://www.albersfoundation.org/alberses/chronology/. Accessed 26 Sept. 2026.
Josef & Anni Albers Foundation. “Correspondence between Josef and Anni Albers.” The Josef & Anni Albers Papers, https://www.albersfoundation.org/resources/archives/josef-anni-albers-papers/josef-albers-papers/correspondence/correspondence-between-josef-and-anni-albers. Accessed 26 Sept. 2026.
Josef & Anni Albers Foundation. “New Book: Josef Albers: Homage to the Square 1950–1976.” 10 Jan. 2023, https://www.albersfoundation.org/news/new-book-josef-albers-homage-to-the-square-19501976.
Josef & Anni Albers Foundation. “Teaching.” https://www.albersfoundation.org/alberses/teaching. Accessed 26 Sept. 2026.
Lamster, Mark. “Dallas’ Historic Temple Emanu-El Gets an Architectural Facelift for an Age of Disconnection.” The Dallas Morning News, 2016. Archived copy, The Beck Group, https://www.beckgroup.com/wp-content/uploads/2016/10/Dallas-Morning-News-Article-on-Temple-Emanu-El.pdf.
Musée d’Art Moderne de Paris. Anni et Josef Albers: L’art et la vie. English press dossier, 2021, https://www.mam.paris.fr/sites/default/files/contenu/fichiers/dp_albers_anglais_030921.pdf.
Pei Cobb Freed & Partners. “Dallas City Hall.” https://www.pcf-p.com/projects/dallas-city-hall/. Accessed 26 Sept. 2026.
Preziosi, David. “Dallas City Hall.” AIA Dallas, June 2026, https://www.aiadallas.org/columns/dallas-city-hall/.
Soulard, Ida. “Les textiles architecturaux d’Anni Albers.” KUNST, no. 1, Dec. 2024, https://kunst-revue.org/recherche/01/soulard.
Speck, Lawrence W. “Edward Larrabee Barnes.” Larry Speck, 1 Sept. 2003, https://larryspeck.com/writing/edward-larrabee-barnes/.
Temple Emanu-El. A Place of Sacred Encounter: Essays on Temple Emanu-El’s First 150 Years. 5 Nov. 2023, https://www.tedallas.org/wp-content/uploads/2024/09/TE150_Essays_Web.pdf.
Temple Emanu-El. How Lovely Are Your Tents, O Jacob; Your Dwellings O Israel: Enduring Images from the Art Collection of Temple Emanu-El. https://www.tedallas.org/wp-content/uploads/2022/07/ArtGuide.pdf. Accessed 26 Sept. 2026.
Temple Emanu-El. 2024–2025 Impact Report. 2025, https://www.tedallas.org/wp-content/uploads/2025/10/ImpactReport2024-25lr.pdf.
Welliver, Neil. “Albers on Albers.” ARTnews, vol. 64, no. 9, Jan. 1966, pp. 48–51, 68–69. Listed in the Josef & Anni Albers Foundation interview holdings.